托马斯•沙兹（Thomas Schatz），美国德克萨斯大学传播学教授，主要研究领域为好莱坞电影和制片厂制度。作为知名电影评论人，著有：《旧好莱坞•新好莱坞：仪式、艺术与工业》《繁荣与衰败：1940年代的美国电影》《体系的特质：制片厂时代的好莱坞电影制作》《好莱坞电影类型》等。他还参与了多部电影及电视纪录片的创作，如美国公共电视台的纪录片系列《美国电影》等。

安德鲁·莫顿（Andrew Morton） 知名传记作家。他撰写过多部名人传记，其中《戴安娜：她的真实故事》蝉联畅销书榜58周，被翻译为35种语言，并引发了电影、纪录片和王室评论的热潮。此后，莫顿继续撰写了麦当娜、贝克汉姆与维多利亚、汤姆·克鲁斯、安吉丽娜·朱莉等众多名人的传记，并荣登《星期日泰晤士报》和《纽约时报》上畅销书榜。

黛娜·阿普尔顿（Dina Appleton），洛杉矶盛智律师事务所娱乐传媒特别法律顾问，为大量娱乐业组织与个人提供法律咨询服务，包括主流影视制片公司、独立制片人、编剧、导演、演员等。 丹尼尔·扬科利维兹（Daniel Yankelevits），索尼公司代理律师，同时担任HBO和新线影业的商务主管，以及比弗利山律师协会娱乐事务和南加大娱乐法务教学大纲研讨会联合主席。 刘莐，毕业于北京大学法学院，“如是娱乐法”联合创始人、CEO。著有知乎“盐”系列书《娱乐的玩儿法》。“如是娱乐法”是国内领先的娱乐法咨询服务专业机构，服务于电影、电视剧、网络剧、动漫、音乐、演出、出版等娱乐行业，提供法律服务和商业咨询。

In just seven years (from 1950 through 1956), Grace Kelly made eleven feature films. They established her as one of the screen's iconic beauties, and as a performer of rare intelligence and wit. Donald Spoto, a personal friend of Kelly's in whom she confided, is in a unique position to tell the story of her transformation from convent girl from Philadelphia to last star of Holl...(展开全部)

In this unprecedented, all-encompassing, and thoroughly entertaining account of the movie business, acclaimed writer Edward Jay Epstein reveals the real magic behind moviemaking: how the studios make their money. Epstein shows that in Hollywood, the only art that matters is the art of the deal: Major films turn huge profits not from the movies themselves but through myriad oth...(展开全部)

The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film...(展开全部)

During the 30's and 40's, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. And the female protagonists were strong, independent, and sophisticated. Here, Stanley Cavell examines seven of those classic movies for their cinematic techniques, and for such varies themes as feminism, liberty and interdependence. ...(展开全部)